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skip to content menu home about video exploded view 1 april 23, 2018 composition study , film , music & technology , visual culture leave a comment on exploded view 1 this video was part of my submission to 1ssue 38. click to share on facebook (opens in new window) click to share on twitter (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on google+ (opens in new window) click to share on reddit (opens in new window) click to share on linkedin (opens in new window) click to share on pocket (opens in new window) click to email this to a friend (opens in new window) click to print (opens in new window) 1ssue16 – private view april 22, 2018 april 23, 2018 visual culture 1 comment on 1ssue16 – private view after much ado – the usual complications and snafus – the 1ssue16 private view duly arrived yesterday (saturday 21 april). firstly, and most importantly, i can report that it is a truly excellent show. as my partner commented, it deserves to be in a more prestigious venue. nonetheless, great work by richard cox. secondly, the pv was well-attended and deemed a success by one-and-all. i spent an enjoyable couple of hours chatting with phil mead (who i’d never met before) and catching up with a few friends: lovely to see sue hunt and glen manby after what seems ages. richard cox and friend: superb set submitted by heather parnell. some of the best stuff she’s done in ages: marega palser. i really like her work. reminds me somewhat of early bryon gysin: carefully-wrought moirés by tom martin: inevitably! the show is on at west wharf gallery until 26 may. open 10am – 4:30pm, thursday-saturday. click to share on facebook (opens in new window) click to share on twitter (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on google+ (opens in new window) click to share on reddit (opens in new window) click to share on linkedin (opens in new window) click to share on pocket (opens in new window) click to email this to a friend (opens in new window) click to print (opens in new window) 1ssue16 exhibition april 13, 2018 visual culture leave a comment on 1ssue16 exhibition picked up the frames today. giclée prints upstairs already (and delighted with the way these have turned out). just need to sort out the av… can i just say that as a relatively recent contributor to 1ssue i’m very grateful to richard cox for inviting me to exhibit, and i’m thrilled to be amongst such luminaries. happy days! click to share on facebook (opens in new window) click to share on twitter (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on google+ (opens in new window) click to share on reddit (opens in new window) click to share on linkedin (opens in new window) click to share on pocket (opens in new window) click to email this to a friend (opens in new window) click to print (opens in new window) suzanne ciani – buchla concerts april 2, 2018 music & technology leave a comment on suzanne ciani – buchla concerts i’ve been playing this a lot recently. still very fresh sounding… click to share on facebook (opens in new window) click to share on twitter (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on google+ (opens in new window) click to share on reddit (opens in new window) click to share on linkedin (opens in new window) click to share on pocket (opens in new window) click to email this to a friend (opens in new window) click to print (opens in new window) robert hood – and then we planned our escape march 17, 2018 composition study , music & technology leave a comment on robert hood – and then we planned our escape brilliant and ruthless minimal techno.  click to share on facebook (opens in new window) click to share on twitter (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on google+ (opens in new window) click to share on reddit (opens in new window) click to share on linkedin (opens in new window) click to share on pocket (opens in new window) click to email this to a friend (opens in new window) click to print (opens in new window) manuel göttsching – e2-e4 january 31, 2018 april 2, 2018 music & technology 3 comments on manuel göttsching – e2-e4 i’ve been re-reading and reviewing quite a lot of stuff that’s quite central to the way i think about music, art, culture, etc. following a deep delve into luigi russolo and the futurists i somehow made my way to overhauling what i knew (or thought i knew) about electronic music in germany. following a brief mention in david stubbs’ superb future days: krautrock and the building of modern germany , i chased down this wonderful piece of music which, unbeknown to me, i already sort of knew (see below). manuel göttsching’s e2-e4 is just so good on so many levels. the same two chords for nearly an hour. no explicit melody to speak of. sequenced. improvised. technological and synthetic but wholly organic. ambient but great to dance to. it even has a long guitar solo, and, man, i can’t tell you how far i would usually go to avoid one of those. but the track just feels great. the icing on the cake for me is this, taken from the sleeve notes: at the end of 1981, when i came back from a long tour (with klaus schultze) i still felt ‘in a concert mood’ for a few days and so one evening i gave a ‘manuel göttsching solo concert’ in my studio, just for myself. i luckily had the reflex to press the red ‘record’ button on the tape machine. […] when i listened to the recording afterwards, i was somewhat confused. the music flowed in total balance and even after listening again and again i couldn’t distinguish any flaws or breaks. there weren’t even any of the usual technical glitches such as crackling, dropouts, distortion, or abrupt level changes. nothing was too loud or too quiet. over the years i’d made many session recordings in my studio, but none of them had produced such a perfect and rounded result over this duration and breadth. i found it almost uncanny. and a problem. after my last release […] i had resolved to produce a new solo lp. i had envisaged an all-encompassing composition for which i had planned a whole year from the development to the finished production. i had already developed a whole range of themes, but they were all loose ends of pieces: the greater overall work was still a long way off. and here i was with a finished, faultless recording, which i had written, played, and produced within the space of one evening. what a great story. any musician would figuratively give their left arms to have this type of wonderful experience. to be in the zone . not consciously creating, just creating. letting it just come pouring out. so satisfying, so sweet… and the reason i already sort of knew it, one of my favourite dance tracks from (ahem) “back in the day”: respect. click to share on facebook (opens in new window) click to share on twitter (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on google+ (opens in new window) click to share on reddit (opens in new window) click to share on linkedin (opens in new window) click to share on pocket (opens in new window) click to email this to a friend (opens in new window) click to print (opens in new window) frownland analysis january 13, 2018 composition study , music & technology leave a comment on frownland analysis click to share on facebook (opens in new window) click to share on twitter (opens in new window) click to share on tumblr (opens in new window) click to share on pinterest (opens in new window) click to share on google+ (opens in new window) click to share on

URL analysis for paulhazel.com

http://www.paulhazel.com/2018/03/17/robert-hood-and-then-we-planned-our-escape/
http://www.paulhazel.com/2018/04/22/1ssue16-private-view/?share=email
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http://www.paulhazel.com/2018/04/23/exploded-view-1/?share=tumblr
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http://www.paulhazel.com/2018/01/31/manuel-gottschings-e2-e4/
http://www.paulhazel.com/2018/04/23/exploded-view-1/?share=linkedin
http://www.paulhazel.com/2018/01/06/looking/?share=twitter
http://www.paulhazel.com/tag/brian-eno/
http://www.paulhazel.com/#cancel
http://www.paulhazel.com/2018/01/06/looking/?share=pocket
http://www.paulhazel.com/2018/04/22/1ssue16-private-view/?share=linkedin
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Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: PAULHAZEL.COM
Registry Domain ID: 75756061_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.networksolutions.com
Registrar URL: http://networksolutions.com
Updated Date: 2017-05-07T17:20:41Z
Creation Date: 2001-08-06T21:51:00Z
Registry Expiry Date: 2019-08-06T21:50:56Z
Registrar: Network Solutions, LLC.
Registrar IANA ID: 2
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.8003337680
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.BPWEB.NET
Name Server: NS2.BPWEB.NET
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2017-09-14T22:28:42Z <<<

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  REGISTRAR Network Solutions, LLC.

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =paulhazel.com

  PORT 43

  TYPE domain

DOMAIN

  NAME paulhazel.com

  CHANGED 2017-05-07

  CREATED 2001-08-06

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.BPWEB.NET 83.223.106.17

  NS2.BPWEB.NET 83.223.106.18

  REGISTERED yes

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